If you could select one book that you could rewrite and add your own unique twist on, which book would that be and why?
I grew up on the legends of King Arthur, and adore T H White's "Once and Future King" and of course, Marion Zimmer Bradley's "Mists of Avalon". King Arthur and his knights, along with the mystical Merlin are supposed to be sleeping in some crystal cave, ready to return when we have need of them. If this happens during my lifetime, I fully intend to continue their story, and this time the ending will be very different – we'll keep the magic alive!
Tell us about your current release.
"The Griffin Cryer" – suitable for young adults, and all those who've ever dreamed of riding a griffin:
"The Griffin Cryer" – suitable for young adults, and all those who've ever dreamed of riding a griffin:
Synopsis: Frankie Shaunessy's friends are out of this world!
It's an easy mistake to make - instead of whistling and calling for her dog, fifteen year old Frankie accidentally summons a griffin and his rider from another world. The Rider is tall, blond and extremely rude. On the other hand, Balkind is the sweetest, most lovable griffin Frankie's ever met, and Frankie is determined to help the Rider and his griffin find a way back to their own world.
Dealing with parallel universes, disgruntled warriors, and hungry griffins is the easier part of Frankie's life. At school, Frankie learns friends can become enemies, teachers aren't always right, and the boy of your dreams can be all too human.
It's an easy mistake to make - instead of whistling and calling for her dog, fifteen year old Frankie accidentally summons a griffin and his rider from another world. The Rider is tall, blond and extremely rude. On the other hand, Balkind is the sweetest, most lovable griffin Frankie's ever met, and Frankie is determined to help the Rider and his griffin find a way back to their own world.
Dealing with parallel universes, disgruntled warriors, and hungry griffins is the easier part of Frankie's life. At school, Frankie learns friends can become enemies, teachers aren't always right, and the boy of your dreams can be all too human.
Do you have critique partners or beta readers?
Yes to both! My critique partner is Stephen Spencer, who is incredibly gifted and can turn a pig's ear into a silk purse. I have one beta reader who I trust enough to read chapter by chapter; Dody Cox has an enormous empathy for words, and tells me instantly what is working and what isn't. For "The Griffin Cryer" two teenagers "volunteered"! Jenny Worstall, another talented author who also teaches music read through and enabled Frankie to become a musician. With their help, I know I've written the best story I can, and any adverse reviews are the result of someone not being grabbed by the story, rather than the story not making sense.
Use no more than two sentences. Why should we read your book?
I'll do it in one :D
After reading "The Griffin Cryer" you'll know how it feels to fly on the back of a griffin.
Do your friends think you are an introvert or an extravert? Why?
I'm more likely to be thought of as extravert than introvert, but I'm best described as confident. There's a reason for this: I don't care what anyone thinks – that's their opinion – this is my life. Once you realise you can sing and dance to your own beat, you'll find others who like your style and want to join in. Others won't – and that's cool too.
What is something people would be surprised to know about you?
I have synethesia. As a young child, I thought everyone saw words in colour, then realised I was a little bit different. So I kept quiet about this until a few years ago, when a documentary came on the telly (good old telly!) I'm not alone! Other people see colour in music, some even taste words – as a result there are words they cannot bring themselves to say! The most valuable cross over sense though is the ability to 'see' numbers interacting with themselves, and sums magically working themselves out!
Entice us, what future projects are you considering?
"The Griffin Cryer" ends with the Rider and Frankie on Ella-Earth, our world's twin – only a world in which evolution has taken a different route, and mythical beasts exist. Magic also exists – so I guess you could say this is my way of creating a setting Merlin would feel at home in. How can I resist exploring further? Readers of "The Griffin Cryer" have been kind enough to say that they hope there will be a sequel – and if I get my way – there certainly will be!
"The Griffin Cryer" is soon to be released as a paperback, and I'd be delighted to offer a signed copy as a giveaway to your readers and blog followers.
Frankie Shaunessy's
friends are out of this world!
It's an easy mistake to make - instead of whistling and calling for her dog, fifteen year old Frankie accidentally summons a griffin and his rider from another world. The Rider is tall, blond and extremely rude. On the other hand, Balkind is the sweetest, most lovable griffin Frankie's ever met, and Frankie is determined to help the Rider and his griffin find a way back to their own world.
Dealing with parallel universes, disgruntled warriors, and hungry griffins is the easier part of Frankie's life. At school, Frankie learns friends can become enemies, teachers aren't always right, and the boy of your dreams can be all too human. Told in approximately 53,000 words, suitable for young adults, and all those who've ever dreamed of riding a griffin.
Cover art by Laura Wright LaRoche of LLPix.com Designs
Julia's website: JuliaHughes.co.uk or tweet @Tinksaid It's an easy mistake to make - instead of whistling and calling for her dog, fifteen year old Frankie accidentally summons a griffin and his rider from another world. The Rider is tall, blond and extremely rude. On the other hand, Balkind is the sweetest, most lovable griffin Frankie's ever met, and Frankie is determined to help the Rider and his griffin find a way back to their own world.
Dealing with parallel universes, disgruntled warriors, and hungry griffins is the easier part of Frankie's life. At school, Frankie learns friends can become enemies, teachers aren't always right, and the boy of your dreams can be all too human. Told in approximately 53,000 words, suitable for young adults, and all those who've ever dreamed of riding a griffin.
Cover art by Laura Wright LaRoche of LLPix.com Designs
This
excerpt is from Chapter eight of "The Griffin Cryer": Instead of
calling her dog to heel, Frankie has accidentally summons a griffin, complete
with rider from another dimension. The griffin has rescued Frankie from a very
nasty encounter with two bullies; but it won't be long before the police
arrive. Frankie has sneaked the griffin and Rider home and into her garden.
They are talking in a shack built by Frankie's brother.
Two prominent veins fringed with feathers ran either side
along the top outline of Balkind's shoulder blades. When Frankie cupped her
hand over one, it throbbed against her palm. She traced the vein with her hand,
and Balkind shivered. Her hand travelled along the vein, which measured her
arm's length, before folding back on itself. When she thrust her fingers
between the fold, she felt a soft leathery skin, which also pulsed; it must
have its own network of minor veins. The major artery folded back on itself
several times, and Frankie estimated that when fully outstretched, Balkind's
wing span would be around thirty feet from wing tip to wing tip.
'What happens if you fall off?'
'You pray your griffin catches you before you hit the
ground.'
Frankie's head jerked around to look over at the Rider,
sprawled on the sofa bed, across the shack from her. With sirens blaring in
their ears, they'd hurried along the service road running behind the length
Frankie's street, and snuck into her rear garden. Then Frankie had doubled back
into her house, and called to mum that she'd be in the shack for the next hour
or two, practising her piano scales. She raided the fridge, then raided the
medicine cabinet, and twenty minutes later, the shack reeked of TCP antiseptic.
Now Frankie felt her nerves beginning to calm, as she played her hands along the
griffin's wings. Balkind's eyes were semi-closed, and he crooned with the
happiness of a griffin who had feasted on three tins of best quality dog's
meat. She could only offer the Rider left-over chicken drumsticks and some
cheese sandwiches, but it appeared they were satisfactory. At least, judging
from the empty plates stacked on the old kitchen table, alongside a digital
piano keyboard.
Now Frankie stared at him, but apart from a mocking look
in his eyes, the Rider's face was expressionless. She forced a smile: 'Was that
another "silly question"?'
The Rider glanced up at the ceiling, as though to say
"give me strength" and Frankie just knew he found all her questions
"silly".
'At least I don't have to ask what a service road is – or
a car!'
The Rider frowned, and Frankie arched her eyebrows
mockingly, widening her eyes. Raising her hand, she rubbed Balkind's shoulder
in the exact spot the Rider stroked him. Balkind responded by collapsing his
knees and crouching down, and Frankie swallowed a gasp of surprise. Smirking at
the Rider, she sat down close to Balkind, crossed her legs, and pulled the
griffin's head into her lap.
'Tell you what. I'll ask you five "silly"
questions, and you can ask me five "silly" questions.'
The Rider's frown deepened. 'But how do I know if they're
silly or not?'
Frankie couldn't help herself. 'Ask yourself the question
again, only slower,' she taunted. Ducking his head, the Rider glowered at her,
and then the corners of his lips tugged up into a smile. Frankie wanted to tell
him that he really needed to work on his sense of humour, but didn't. The Rider
came from another universe, one in which fun seemed to have been outlawed. An
air of expectancy swelled inside the dimness of the shack.
'Who goes first?' The Rider finally broke the silence.
'Was that your first question?' Frankie teased, and then
giggled when he retorted 'was that your first question?' Cradling Balkind's
head with one arm, she stretched out with the other towards a stray tennis
ball, and chucked it in the Rider's direction. He dodged, caught it and chucked
it back. 'You've got quite a good aim, for a girl.' He said, as Balkind
snuffled at the tennis ball, as though trying to determine if it were edible or
not. Frankie raised her eyebrows again, wrinkling her nose for good measure,
and a question arrived in her mind. Without thinking, she blurted it out: 'What
will you do if you can't get home?'
The Rider stilled. He rested his elbows on his knees,
then steepled his long fingers together, and rested his chin on his hands. His
eyes focused on something very far away, as he considered what his options
might be if he couldn't return home.
Frankie squirmed, 'I'm sorry, I didn't mean – look, you
ask me a question now – you don't have to answer that one,' she stammered. The
Rider shook himself, and stood up. He walked over to the wall opposite to the
one Frankie leaned against, and peered at a map of the British Isles. 'Is this
Albion?' he asked. Frankie wrinkled her brow, and with a last stroke of
Balkind's head, moved it gently from her lap to the floorboards, and stood up.
'That's a map of this country.' She said, stalking over
in bare feet to stand beside him, and tilting her head to look at the familiar
landmass. She'd given it to Michael on their twelfth birthday, when he was
still obsessed with collecting different minerals and relics from the past. 'It
shows all the ancient settlements – where artefacts are likely to be found. See
– here's Stonehenge – this here is–'
'–Glastonbury Tor' the Rider interrupted. 'And the Wessex
ley-line runs from here–' his fingers scythed across the map, brushing from
Dorset, through Stonehenge across to London '–to here.'
'The Wessex what what?' Frankie asked, standing on
tiptoes to peer closer at the map. 'That's not one of my questions by the way.'
'Sounded like two to me.' The Rider peeled the map from
the wall, and casting a glance around the room, walked over to place the map on
the kitchen table, moving the empty plates and digital piano keyboard to the
floor. Then he pulled the makeshift desk over to the sofa and sat down, patting
the cushion beside him, inviting Frankie to take a seat. 'Make yourself at
home, why don't you?' Frankie muttered, as she sat down next to him.
'Third question,' The Rider told her, smoothing the map
over the desk. Frankie wanted to say 'fourth actually,' but kept quiet, and
kept her advantage. Balkind lifted his head to peer at the sofa, and seeing
nothing edible, or of interest to griffins, slumped his chin back to the ground
with a grunt.
End of excerpt. © Julia Hughes 2013.
Julia's bio in her own words:
"I'm an eldest child and walking my younger brother and
sister to school and back, I'd tell them stories – a captive audience! On
leaving college, I worked at the BBC, helping write stories for their
"Schools' Programmes". That was back in the day, before satellite
telly made it over to the UK and 'Auntie Beeb' ruled the air waves! I gave it
all up for the good life, and moved down to Cornwall, one of the most beautiful
counties in England, and often known as 'God's own country.' I think the
greatest compliment I received was 'Julia's more Cornish than the Cornish.' I
picked daffodils in winter and made pasties for the holidaymakers in the
summer. But all good things come to an end: I upped sticks to be closer to my
family, and landed in a little village just outside London, and have been here
ever since, scribbling away at my stories. "
I don't specifically write in any one genre, an idea will flitter
into my mind, and the story develops. My first three titles, "A Raucous
Time", "A Ripple in Time" and "An Explosive
Time" are action adventures, while "The Bridle Path"
is romance. I think I'd overdosed on the testosterone flying around in the
previous three books and wanted something a little more feminine and romantic.
My latest title "The Griffin Cryer" is an adventure/fantasy. What makes this genre special is the opportunity to really allow imagination to take flight, and even create whole new worlds for readers to explore.
My latest title "The Griffin Cryer" is an adventure/fantasy. What makes this genre special is the opportunity to really allow imagination to take flight, and even create whole new worlds for readers to explore.
To win a signed paperback copy of "The Griffin Cryer"
just visit my site and leave a comment on any of my blog posts, adding 'please
enter me into your free contest to win a signed paperback copy of "The
Griffin Cryer". A winner will be picked at random on the 14 of March.
Julia's website: Julia Hughes.
Enter for a chance to win a Print copy of The Griffin Cryer.
2 Winners will be picked!









8 comments:
Thanks for the mention, Julia! Fascinating to read about your synethesia - I know musicians with this but didn't know it could apply to words too.
Thank you Laurie for a wonderful feature - lovely to be here on your site meeting your readers & thank you too Jenny, for all your expert advice so generously given,
Julia x
Another intriguing tidbit about you, Julia, to add to my fav authors'fun info file: synesthesia. No wonder your tales ring so many of my chimes; more than having vivid scene descriptions, the scenes are splashed in color! Being a beta reader for you certainly spices up the reader in me...Thank you.
Well, were I to have a griffin, I'd probably name it Keira if it were a girl and Declan if it were a boy.
Lakota, which means friendly ally....I think it would be perfect
I think I would name it something mundane, like Blue.
Cool. I'm a Julia, too, and I wish i had synethesia.
What would I name my griffin? Hmm. Maybe I'd name it Grrr. I have a kitty named Grrr. She probably wishes she was a griffin.
I'd have to meet it and get a feel for it. We took a week to name our new puppy. We named her Sasquatch and call her sassy and holy cow it fits. She has such an attitude. But if it was a boy possibly Raiden I've always liked that name. :)
-Amber
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